larger version of the ColourPic with additional memory, interfaces and software capabilities
digitises video inputs in 64000 colors in 1/50th second per frame resp. 1/25th second for interlace modes (realtime)
supports lo-res, interlace and hi-res resolutions
comes standard with 512kB internal framebuffer
internal memory can be extended up to 1 MB of CMOS SRAM memory (32k×8, ≤120ns) to support hires interlace overscan images and longer animations
outputs files in HAM, EHB, 4 - 32 color or monochrome (16 grayscales)
PAL and NTSC versions available
framestore can be used to display images in 64k colors on external monitors or video equipment by uploading them to the ColourPic Plus (e.g. 24 bit images)
brightness, contrast, saturation and NTSC hue controls - the latter doesn't work in PAL models
video input connectors, selected by rotary knob at the rear
1× composite (BNC) video input
1× Y/C input connector (4 pin mini-DIN)
1× Amiga RGB
output connectors:
RGB monitor pass-through and composite video output
1× RCA connector for UHF TV output
RGB output is used for monitor pass-through, UHF and Composite for TV output of captured frames
connects via parallel port to the Amiga
internal power supply
delivered with standard ColourPic software and with Cabaret Plus software, which provides the following functions:
24 bit capable, support hi-res and interlace modes
overscan support
software control of image parameters (e.g. brightness, color and color balance)
image flip
image filters
extra image filters like Uniform, Kuwahara, Posterize, Median and Gamma
grabs 4096 colour (HAM) or 16 gray level monochrome images
eight resolutions from 320×256 to 704×560 (overscan)
composite input
1993:
supports the AGA screen modes, including HAM8
composite and Y/C inputs
software revision 3.0
saturation, brightness and contrast knobs
test mode: grabs 75 monochrome images per second in 320×256 using a fixed palette for each picture (not user definable)
in lores modes Digi Tiger captures images continuously and stops only when a mouse button is pressed
in hires modes only a single frame is captured while the display is turned off due to the limited data rate to Chip RAM (except on Amigas with AGA chipset)
composite (RCA) and Y/C (4 pin mini-DIN) inputs selectable from software
grayscale preview in 160×64 or 320×128
512 kB framebuffer
grabs images up to 736×512 in 256 colours, 640×256 or 320×512 in 24 bit
can save images in any AGA screen mode and IFF24
the hardware supports PAL and SECAM in all resolutions, but NTSC in non-interlaced only - an NTSC only version is available which can handle NTSC in interlaced mode
Photogenics and AdPro loaders
teletext decoder downloads and saves pages as text or image - supports terrestrial and satellite TV signals
external power supply
optional PCMCIA interface
provides up to five times quicker transfer speed compared to the parallel port
speeds up animations up to 11 fps (mono) and 3.5 fps (colour)
allows saving animations with sound (separate sound sampler hardware is required) as ANIM5 + 8SVX
realtime digitizing in 1/60th of a second - but transferring the image to the Amiga takes several seconds
separate PAL and NTSC versions
supported NTSC resolutions are 320×200, 384×240 (overscan), 320×400, 640×200, 640×400
can digitize in colour (except in 640×400) in 2, 4, 8, 16, 32, 64 (EHB) or 4096 (HAM) colours, in 16 grays or in definable pseudo colours
uses its own built-in RAM to digitize
external control knobs for intensity (brightness), hue (colour bias) and saturation
composite input (RCA connector)
connects to the parallel port (Centronics) and between the monitor and the RGB port (2× DB9)
external power supply
FrameGrabber 2.0 software
pre-digitizing options:
Over Sampling - digitize an image any specified number of times up to 50 and combine them into a composite (gives far better results than a single capture)
Multiple Exposure - gives two samples
Mirror Image
Weighted - modifies the automatic contrasting performed
Auto Zone - improves image quality in the center at the expense of the border areas
these options can be combined in a variety of ways
grabs images in 256 gray levels (the original colour capable FrameGrabber can achieve 16 gray levels only) - suitable for capturing 24 bit images in three pass
24 bit colour images can be obtained with three pass digitizing using the supplied colour wheel
cannot digitize in realtime - digitization takes 1/30th of a second and transferring the image to the Amiga plus displaying it takes 5 to 25 seconds
uses its own built-in RAM to digitize and display 256 gray levels on the Amiga screen (framebuffer)
supported resolutions are 320×200, 320×400, 384×240 (overscan), 384×480 (overscan)
external control knobs for intensity and black level
four composite inputs (RCA connectors) working in two ways:
all inputs accept independent video signals, each of which can be either monochrome or colour composite (treated as monochrome) - the active input is selected via software
the first three inputs accept colour video as separate red green and blue signals, and the fourth accepts the composite synchronization signal - in tandem with a colour RGB video camera, a colour image can be taken without colour wheel, in three pass
connects to the parallel port (Centronics) and between the monitor and the RGB port (2× DB9) - monitor display can be switched between Amiga output and video source
provides 12 or 24 bits of colour information to an Amiga screen
1.5 MB as two banks of 12 bit RAM
double buffered 12 bit (4096 colours) animations or a single buffered 24 bit (16.7 million colours) image
768×625 (PAL) or 768×525 (NTSC) maximum resolution
framegrabber:
realtime digitizing at up to 25 fps
freeze, grab and store 12 or 24 bit full screen live RGB video in real time frame grabbing
composite and Y/C video requires an RGB splitter or the optional Video Interface Unit
flicker fixer:
duplicates and enhances the A3000's display enhancer circuitry
even de-interlaces external live video
the HD15 VGA output is software switchable between 15 and 31 kHz
works only in 12 bit mode
picture in picture:
freeze, resize, move or scale live incoming RGB video in a window
reverse-PIP - place a fully functional movable and scalable Workbench window on full screen live video
works in 12 bit mode only
genlock:
separate composite and component (RGB + sync) genlocks
three genlock modes - controlled by a switch on the back of the board:
Amiga graphics only
keyed source - allows external video to show through the background
full external - direct feed of the RGB signal so it can be seen what the camera is pointing at or the live video to show through every colour but the background
separated RGB, composite and Y/C inputs
composite and Y/C outputs
optional Video Interface Unit:
connects to the 26 pin I/O connector of the IV24
built-in RGB splitter converts the composite and Y/C inputs into RGB
separate RGB, 2× composite, Y/C, external reference, key and remote control inputs
768×576 (PAL) 32 bit framebuffer (24 bit colour + 8 bit alpha channel)
double buffering for two 32 bit screens or four 8 bit screens
realtime full colour RGB frame grabber
RS343A and RS170 compatible video output
T800 @ 25 MHz transputer for board pixel operations and image processing - frees up the host CPU so the user can enjoy fast response from the computer without waiting for graphics operations
4 MB VRAM for the framebuffer
4 MB DRAM for the transputer
a built-in SCSI controller was planned for fast loading of images
supported by TVPaint and Kasmin Paint (the latter features realtime hardware scrolling and transputer controlled brushes)
colour capture in 32 (12 frames/s) or 4096 colours (4 frames/s)
supports overscan
does not have video buffer - the digitized data is transfered directly to the Amiga memory using DMA
four BNC connectors - two setups can be selected by jumper
mode 1: two inputs (FBAS) and two outputs (passed through video signal for control purposes)
mode 2: one RGB input with sync
very sensitive on the quality of the video signal
PAL (1987) and NTSC (1989) versions
the PAL version was manufactured by Elan Design, author of the Invision Plus software
requires a hardware upgrade kit (a pal replacement and a jumper cut) in order to work in A3000s and A4000s
Invision Plus software
seriously enhances the abilities of the card compared to the original Live! software
realtime effects (e.g. manipulation of colour register, fade out to black or white, wipes, strobes, looping) which can be attached to keys and mouse movements
effects can be combined (keys + mouse)
supports Anim-5 format
can capture sequences as large as the amount of free memory
grabs 320×200 or 320×400 images with 16 gray scales
grabs the entire image in one video frame time (1/60th seconds non-interlaced, 1/30th seconds interlaced) so it can digitize a moving source without smearing
stores the frame in its own 64 kB memory
it takes about half a second to send the image to the Amiga through the parallel port
interlace: programmable 2:1 interlaced, or non-interlaced
Amiga bus interface: 4×128 kB DMA blocks, directly addressable
hue, saturation, contrast: software adjustable via digital pots in 256 levels each
palette
16.7 million colours displayable from a palette of 16.7 million
alternative display of 256 colours from a palette of 16.7 million
overlay
8 bit alpha channel with 16 colour overlay
alpha channel colour key between buffers
image capture
full frame and field capture in 1/30th or 1/60th of a second
realtime image capture in 24 bits up to 1024×1024 resolution
grayscale image capture in 256 shades
multiple resolutions in composite and RGB, up to 1024×1024
two framebuffers with adjustable resolutions of up to 1024×1024 pixels per buffer in 32 bit colour
image processing
bit blitting
hardware zoom and pan
dynamic resizing
runlength encoding
JPEG compression support
image enhancement, image recognition, histography, and many other functions built in hardware
digital video effects: flipping, page turns, colourization, solarization, polarization, up to 8:1 zoom, rotations, picture in picture , live resizing, digital graphic overlay and many realtime 24 bit animation and digital video effects
SAGE Library: over 200 graphic functions, with 2D and 3D graphic libraries: LINEDRAW, POLYDRAW, CUBICSPLINE, PHONGSHADE, GOURADSHADE, and more.
fast image loading: NTSC overscan image in less than a second, 1.5 MB 24 bit image in less than 4 seconds
multiple Rambrandt boards can be linked together to create exceptional virtual reality systems
digitizes a frame in color in 1/50s (real-time frame grabbing)
frame grabbing in color and larger resolutions takes several minutes with standard Amiga parallel port - for faster digitization, the Snapshot Portcard can be utilized
supports resolutions up to 768×576
24 bit color support
AGA support (with software revision ≥6.0)
oversampling mode samples an image four times to minimize noise
quadruple mode (4 picture sequence in one image) and multi-picture mode (16 picture sequence in one image)
animation support (ANIM 5 format)
customizable motion detection omits frames which are similar, saving space
expansion connects to the parallel port of the Amiga
external power supply
Notes
software comes in two variants, for 68000 processor and for accelerator boards (68020 / 030 support)
digitizes a frame of up to 352×276 in grayscale in 1/50s (real-time frame grabbing)
frame grabbing in color and larger resolutions takes several minutes with standard Amiga parallel port - for faster digitization, the Snapshot Portcard can be utilized
supports resolutions 176×138 - 352×276 in up to 64 or 256 greyscales (depending on the software)
color support 16 - 4096 colors
AGA support (with software revision ≥6.0)
maximum resolution 704×552 with overscan support
oversampling mode samples an image four times to minimize noise
quadruple mode (4 picture sequence in one image) and multi-picture mode (16 picture sequence in one image)
animation support (ANIM 5 format)
customizable motion detection omits frames which are similar, saving space
expansion connects to the parallel port of the Amiga
composite video output (Cinch) to connect a control monitor
four composite video inputs (Cinch) at the rear
with a RGB Splitter, e.g. Snapshot RGB or Snapshot RGB 2, images can be captured in color using input connector 2 - 4
two potentiometers at the front plate for setting black and white limits (saturation and brightness)
external power supply
Notes
software comes in two variants, for 68000 processor and for accelerator boards (68020 / 030 support)
cost-reduced variant of the Snapshot Professional, omitting the synchronization potentiometer, the audio inputs and the "Snapshot Remote" connector
digitizes a frame of up to 352×276 in grayscale in 1/50s (real-time frame grabbing)
frame grabbing in color and larger resolutions takes several minutes with standard Amiga parallel port - for faster digitization, the Snapshot Portcard can be utilized
supports resolutions 176×138 - 352×276 in up to 64 or 256 greyscales (depending on the software)
color support 16 - 4096 colors
AGA support (with software revision ≥6.0)
maximum resolution 704×552 with overscan support
oversampling mode samples an image four times to minimize noise
quadruple mode (4 picture sequence in one image) and multi-picture mode (16 picture sequence in one image)
animation support (ANIM 5 format)
customizable motion detection omits frames which are similar, saving space
expansion connects to the parallel port of the Amiga
composite video output (Cinch) to connect a control monitor
four composite video inputs (Cinch) at the rear
with a RGB Splitter, e.g. Snapshot RGB or Snapshot RGB 2, images can be captured in color using input connector 2 - 4
3.3 MHz low pass filter on each input to reduce noise
software-switchable filter for a 4.43 MHz color carrier
four audio inputs (Cinch), these allow recording audio together with video
Remote Control Port at the rear (3.5mm jack) for "Snapshot Remote", a video recorder controller, allows digitizing of sequences
three potentiometers at the front plate for setting black / white limits (saturation and brightness) and interlace synchronization - a LED indicates the synchronization status
external power supply
Notes
software comes in two variants, for 68000 processor and for accelerator boards (68020 / 030 support)
studio quality framegrabber with integrated RGB splitter in a 19" rack-mount case
16 potentiometers to adjust video signal
digitizes a frame of up to 352×276 in grayscale in 1/50s (real-time frame grabbing)
frame grabbing in color and larger resolutions takes several minutes with standard Amiga parallel port - for faster digitization, the Snapshot Portcard can be utilized
supports resolutions 176×138 - 352×276 in up to 64 or 256 greyscales (depending on the software)
color support 16 - 4096 colors
AGA support (with software revision ≥6.0)
maximum resolution 704×552 with overscan support
oversampling mode samples an image four times to minimize noise
quadruple mode (4 picture sequence in one image) and multi-picture mode (16 picture sequence in one image)
animation support (ANIM 5 format)
customizable motion detection omits frames which are similar, saving space
color palette mapping can be manipulated to match the colors in the source material
expansion connects to the parallel port of the Amiga
infinite window time base corrector using 8 bit 4:2:2 CCIR-601 professional quality all digital video signal processing
realtime 24 bit video framegrabber / framebuffer for use as a digital video stillstore or signal generator
full transcoding between Composite and Y/C (SVHS) input and Composite and Y/C (SVHS) output
full processing amplifier (ProcAmp) control for correcting or adjusting incoming video on the fly quickly and professionally (hue, brightness, contrast, saturation)
realtime programmable video special effects generator featuring solarization, strobing, pseudo colour, monochrome effects, and more
NTSC / PAL / SECAM signal standards conversion to NTSC / PAL for integration into worldwide video environments automatically
ImageFX: direct editing and manipulation in the framebuffer
optional full SMPTE / EBU timecode receiver / generator (encoding / decoding / striping) - VITC (Vertical Interval Time Code) and LTC (Longitudinal Time Code) can be read and written
optional digital comb filter (cleans up Composite for Y/C output and fixes cross colour by splitting the Composite signal into separate chroma and luma signals as if it were a true Y/C input) provides true wide band 5.5 MHz Composite video performance
inputs and outputs reside on an adaptor cable
inputs: Y/C, two Composite Video, external key signal, sync reference signal, Longitudinal Time Code (LTC)
outputs: Y/C, Composite Video, Longitudinal Time Code (LTC)
the Composite and Y/C inputs can be connected simultaneously and hot switched with software without having to play with cable connections
convert the two Composite inputs into a single Y/C input, providing two switchable Y/C inputs
up to five TBCPlus cards can be installed in a single Amiga and independently controlled
will not overload the power supply when the maximum of five TBCPlus units are installed
works in 30 Hz, 29.97 Hz, 25 Hz, 24 Hz drop frame and color frame modes, can put a SMPTE burn-in window anywhere over the video
memory
two 30 pin SIMM sockets for frame buffer memory - 1 MB installed as standard, expandable to 2 MB for improving special effects
two 64 pin SIMM sockets for 4 or 8 MB standard Zorro II Fast RAM - accepts only 4 MB GVP SIMMs
the Fast RAM expansion has nothing to do with the performance of the TBC Plus, it doesn't increase the frame buffer capacity - it is meant for A3000 and A4000 machines which may have problems with Zorro II DMA to Chip RAM
composite video output for viewing the grabbed image
pressing the space bar, the entire colour image is freezed on the composite monitor in 1/60th seconds and stored in VD-1's own 24 bit framebuffer
stores images in RGBN format internally
pressing the return key, the image is sent from the framebuffer to the Amiga and converted to 320×400 HAM
image transfer takes about 25 seconds through the parallel port
once the image is displayed on the Amiga screen, it can be refined (RGB levels, brightness, colour dithering) without recapturing - just press the return key to transfer the image from the framebuffer with the new settings
produces higher quality colour images than FrameGrabber
housed in a 14×14×2 inches box with internal power supply
framebuffer
768×480 (full overscan) in 24 bit
allows outputting 24 bit raw RGB images from the Amiga
provides multiple video functions in one package: genlock, title generator, video mixer and video digitizer
includes the NewTek Digi-View Gold for the digitizing function, an automatic RGB splitter enhances the image quality
brightness, contrast and color saturation controls of video input
Amiga signal can be adjusted in brightness and contrast, no color adaptation possible
provides different keying and effect options
supports "hard" keying
keying invert switch: when inactive, video is projected onto the computer image where color 0 is - when active, video is shown at positions other than color 0
three wipe effect patterns (horizontal, vertical, circular), also in combination, controllable by WIPE slider
effects only apply to Amiga signal
fade-in of Amiga signal possible, controllable by MIX slider
both WIPE and MIX effects can also be time programmed (up to 10s) and started by button press